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(Schott). For the complete beginner to the advanced student
- Sales Rank: #795278 in Books
- Brand: Hal Leonard
- Published on: 1991-11-01
- Released on: 1991-11-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .45" w x 9.00" l, 1.20 pounds
- Binding: Paperback
- 148 pages
- 148 Pages
- Composer: Diana Poulton
- Softcover
- Dimensions 12 x 9
Most helpful customer reviews
43 of 43 people found the following review helpful.
yes . . . this is exactly the book you need
By Caraculiambro
I was a little leery ordering this because I wasn't sure what tuning (F? G?) the book was written for, what number of strings it was intended for, or what system of notation it used (French? German? Italian?). It's pretty expensive (and hard to find for some reason), so the last thing you want to do is spend all that money and get a book that isn't for your lute.
The answer -- hold onto your hat -- is that this book teaches ALL of those! I'm not saying that a shrewd, musically literate person could ADAPT for those different tunings and TAB systems: it actually teaches each one of those specifically in turn! Though you can use all of those diapason tunings with this book, the majority of the book focuses on six strings tuned G, c, f, a, d', and g'.
Large chunks of text are all over this book, but there still are songs to practice, each with exhaustive notes. It is not, however, an anthology of lute music by any stretch.
It is designed for people who don't have a teacher, though this book assumes you are already able to read music and have experience with some sort of stringed instrument. It does not teach that.
Folks, this is a quality product, not like that cruddy book "Learning to Play the Lute," which seems to be everywhere. It is truly exhaustive. After working through it (142 pages!) you're definitely going to know what is what with a Renaissance lute. There is simply no other book out there remotely comparable to this. If you're serious, THIS is the one.
Two negatives I can of are that there's no CD to accompany the book, and it's not spiral-bound.
Note: "A Tutor for the Renaissance Lute," published by Schott Music in 1991, is a re-do of the author's earlier work "An Introduction to Lute Playing," from 1961 -- so don't also buy that.
When I bought this from Amazon, it didn't have a proper cover image, but everything was all right. It wasn't some knock-off job done in somebody's garage, it's a proper, slick book, professionally bound and typeset.
9 of 9 people found the following review helpful.
A wonderful instructional book
By I. Olvera
I must agree wholeheartedly with Caraculiambro. I recently purchased a lute, and I have 0 knowledge of music theory as I have never played an instrument in my life. This book, however, is a wealth of knowledge and covers all the subjects that one needs very well.
From tuning, to holding the lute, to basic timing and fingering, to starting the reader off with introductory songs, and ultimately to more complex ones.
The only thing it doesn't cover is exact tuning/frequencies. Since I'm a completely newcomer to music, the different keys that the book mentions held very little meaning for me (let alone trying to distinguish between octaves). I did some research on that and got a tuning app for my phone that specifies note AND frequency. I created a table as to what each course/string should be tuned to (note and frequency), and now I'm all set.
If you're trying to play a lute, this is a phenomenal resource. Don't hesitate to get it.
7 of 7 people found the following review helpful.
Outstanding!
By Carl C. Curtis III
I've played the lute as a strict, self-taught amateur for a number of years, but it's only recently that I decided it was time to learn the instrument properly. Diana Poulton's tutor is justly famous, and I'm glad I finally purchased it. No doubt, it isn't cheap, but it is more than worth the money. Her lessons are clear and the exercises for right and left hand will take a student beyond classical guitar technique to the real world of lute playing. Some exercises are scales, some simply work the hands for the purpose of habituating them to the technique being taught. Happily, there are many actual Renaissance pieces, the first as early as the third lesson, to get the student playing the music that has made the Renaissance lute so beloved. I do not think there is a better book for the purpose, and I urge anyone who wants to learn the instrument to buy it.
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