[N294.Ebook] Ebook The Art and Science of Project Management, by Roger Warburton

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The Art & Science of Project Management. This is the second edition, which is updated for the Pmbok 5th edition. Master project management with this book from authors experienced in practice, teaching, and research. Learn: The foundations of Project Management, explained with dozens of examples. What works and what doesn't. The Pmbok processes and knowledge areas, with critical analyses. Dozens of templates to use for your project. How the latest research applies to your project. Advanced cost and schedule estimation methods to monitor and control projects. The second edition includes a Microsoft Project tutorial. Version 2.1 adds the latest in Schedule Estimation.

• Sales Rank: #814976 in Books
• Published on: 2015-11-21
• Released on: 2015-11-21
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.24" w x 8.50" l, 2.66 pounds
• Binding: Paperback
• 548 pages

About the Author
A certified Project Management Professional, Vijay Kanabar, BSc, MS, M.B.A., PMP, PhD, is Director, Boston University's Master of Science in Project Management degree (MSPM); Director, Boston University's Metropolitan College's Project Management programs; Academic Coordinator, BU Global Project Management program for international students studying in US; and Associate Professor of Computer Science. He has been recognized with awards for outstanding teaching and research, and has consulted with several Fortune 500 corporations as well as other organizations worldwide, including Blue Cross Blue Shield, Staples, United Way, State Street, and Fidelity Investments. He received his BS in India, his PhD in Canada, and his MBA and MS in the United States.

Also a professor at Boston University's Metropolitan College, Roger D. H. Warburton, PhD, teaches project management and has more than 20 years experience in senior management positions.

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4 of 4 people found the following review helpful.
Not up to snuff
By Darktide
I just finished the course that was taught by Dr. Kanabar. This is the second course that I've taken with him in regards to project management. He used this as the text book for the course. I got an A/B+ in his courses, but not because of this book. The concept of the PMBOK is that a large group of professionals within the field get together and discuss project management and put forth documentation that is meant to help a project manager create a solid plan to tackle a project. This book spends a fair amount of each chapter complaining about how the authors didn't like the terms that the PMBOK team agreed upon and gave reasons why theirs is better.

It does touch upon the basics of each core concept but I can't agree with the other reviewer that it is worth anything for the experienced project manager. If you are looking for a solid book to get you started in Project Management, then this is not the book for you. If you have experience in true project management, this book will not help you. If you want a read that will entertain you by a bit by someone nitpicking over every term and phrase in the PMBOK, then you've hit pay dirt.

The logic of the chapters doesn't make sense even to the author. As a textbook, you skipped all over the book in the readings, the path from Chapters 1 to 2 to 3 obviously was not good for a beginner on a Masters Level. The chapter content felt the same way, very jumbled and not laid out in a structured way.

All in all, I think that the authors are very knowledgeable, but after finishing the book, I do not feel more confident that I could take on the PMP exam.

1 of 1 people found the following review helpful.
This book adds nothing to one's understanding of project management
By Chris P. OConnell
"The Art and Science of Project Management, 2nd edition" is so full of grammatical and spelling errors that I could hardly believe my eyes. I found myself constantly distracted by thoughts of "how could this book be published like this?" Typeos in the text are one thing (of which there were plenty), but inaccurate mathematical formulas just created confusion. At least one in four mathematical examples in this book contain errors. Sections covering crucial formulas like NPV were terribly brief, confused and the formulas used were simply wrong.

The book was printed in black and white. As a result many of the line charts weren't readable... until the 12th chapter when the book started using dashed and dotted lines.

The book didn't even have a big picture map of the different project management processes. There wasn't any section that explained "OK, the deliverables from each process are x,y,z." I felt utterly confused and frustrated trying to use this book as my primary study guide for the course.

Studying project management, especially if you're trying to learn the PMI way of doing things, is challenging. This book offers absolutely no guidance. If you're like me this book will confuse and frustrate you.

0 of 0 people found the following review helpful.
The book is easy to read and has good information in it if ...
By Jessie V. Torres
Just took the class with the professor. The book is easy to read and has good information in it if you are interested in learning about Software Project Management.

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El 8 de julio de 2011 Ezequiel Agrest, de 26 a�os, fue asesinado durante
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• Sales Rank: #2218911 in eBooks
• Published on: 2013-05-01
• Released on: 2013-05-01
• Format: Kindle eBook

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• Presents complex mathematics in an accessible style.
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• Provides a discussion of complexity theory.

• Sales Rank: #211995 in Books
• Brand: Brand: Wiley-Blackwell
• Published on: 2002-02-26
• Original language: English
• Number of items: 1
• Dimensions: 8.52" h x 1.18" w x 5.48" l, 1.15 pounds
• Binding: Paperback
• 416 pages

Features

• Used Book in Good Condition

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37 of 38 people found the following review helpful.
An intelligent non-technical introduction to chaos.
By henrique fleming
Being a physicist I frequently get bored with "science for the layman" books (for instance, Hawking's "Brief History of Time"). This was not the case with Stewart's "Dice" book. It is very well researched and written, in a style that wisely combines historical information with new discoveries, which are, therefore put into perspective. You can even try your hands in simple calculations with your PC. On the whole, a very balanced exposition, without, thank God!, the usual exageration on the place of chaos in the future of science. A very good place to start.

25 of 25 people found the following review helpful.
A great intro to non-linear dynamics
By R. Crocker
I read and thoroughly enjoyed the first edition and purchased the second for the three new chapters. This book is a fun romp through the subject matter, just mathematical enough to get the gist wthout getting bogged down. I read this book for the overview of the subject and am now going through the Strogatz textbook for the details.

One thing to be aware of is that the original books published by Blackwell are preferable to the Penguin reprints. The Penguin books have *much* smaller text and figures.

24 of 27 people found the following review helpful.
The best chaos for layman
By Arvan Harvat
This mesmerizing historical overview of nonlinear science, full of seedy ideas and fascinating expositions (from heartbeat to weather forecast) is well worth reading. One of those "aha !" books that will broaden your understanding of the universe (and the rest), it is very "visual" and..well, a friend of mine said she considered it a "mental thriller" since it touches on the great old questions of determinism and predictability. As for "mathematics" in the title- don't be put off. The book is virtually mathless.

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• Published on: 2010
• Binding: Paperback

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10 of 11 people found the following review helpful.
A "Must Have" refrigeration book. Buy two !
By markspark
If you've done some HVAC work but find yourself stumped the first time you work on a freezer or frig, then you need this book!. This is a world of oil losses, hard to know line pressures, strange refrigerant valves and controls and head masters, etc. And this book will explain them all to you with lots of plain talk, plain examples, great drawings, and even a cd-rom of animation. And best of all, it has a page of "Rules of Thumb", such as; High Efficieny (seer) condenser splits = 20 degrees and below. And since refrigerant recovery of freezers and frig's are far more common place than HVAC work, it covers several methods of evacuation and recovery. This book has lots of troubleshooting notes and lots of pictures and all the basics of refrigeration from motors, capillarys, TEV'S and defrosters through superheat and critical charging and so much more. I own many hvac books and this one absolutely stands out as a 'must have' book ! Another good book to have when you want to "master" the trade, is Technician's Guide to Refrigeration Systems'by Corinchock. And of course, Troubleshooting and Servicing Modern Air Conditioning and Refrigeration Systems by Tomczyk. Warning that Tomczyk's book is sold as several books, each with a few chapters, so only buy the complete book I mentioned above, else you will have duplicate text.

6 of 6 people found the following review helpful.
well done
By Michael B. Garcia
the book is well put together and provides well thought out information, as well as being in depth enough to help anyone serious about the HVAC/R trade. I hate spending money for bad books and am happy to recommend this book for purchase. Buy it.

5 of 6 people found the following review helpful.
Commercial Refrigeration for Air-Conditioning Technicians
By Louie2006
The book is written for beginning students as well as A/C techs wanting to learn more about refrigeration. It is written in everyday language for a tech to understand. It provides a good foundation for anyone wanting to get into the refrigeration field

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[A295.Ebook] Free Ebook Facial Danger Zones: Avoiding Nerve Injury In Facial Plastic Surgery, 2nd Edition, by M.D., F.A.C.S. Brooke R. Seckel

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• Sales Rank: #7917950 in Books
• Published on: 2010
• Binding: Hardcover

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[N798.Ebook] Free Ebook Thomas Edison (Quotes and Facts), by Blago Kirov

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This book is an anthology of 92 quotes from Thomas Edison and 70 selected by Blago Kirov facts about Thomas Edison.

I start where the last man left off.
All bibles are man-made.
Great ideas originate in the muscles.
I am proud of the fact that I never invented weapons to kill.
Show me a thoroughly satisfied man and I will show you a failure.
Anything that won't sell, I don't want to invent. Its sale is proof of utility, and utility is success.
Discontent is the first necessity of progress.

Thomas Edison was home-schooled.
The Edison's kinetoscope was a machine where you put in a coin, look through a peephole in a cabinet, and watch a short motion picture.
Thomas Edison reportedly drank "wine coca" - a medicinal tonic made from coca leaves, the same type of coca that cocaine is extracted from - during marathon research sessions that ran into the night.
Using a primitive cylinder and foil device, Thomas Edison created the first known recording of a human voice: his own, reciting the poem "Mary Had A Little Lamb".
Thomas Edison was close friend of Henry Ford.
Nikola Tesla briefly worked for Edison as a technician but quit after arguing with Thomas Edison one too many times.
Thomas Edison built his own science laboratory at the age of 10. This was built in the basement of his home.

Biography
Blago Kirov is a professional editor and publisher with over 25 years experience in book publishing and two university degrees in philology and journalism. Blago has his own publishing company IKON-M. His daughter's name is Krasi (she lives in Australia now) and he has one wonderful grandson Dani.

His greatest hobby and passion are illustrations for children's books and to study the biographies of great persons. His favorite literature is prose - novels, short stories, non fiction - but necessarily good. His favorite quote: "A man can be destroyed but not defeated."

• Sales Rank: #2284045 in eBooks
• Published on: 2014-04-14
• Released on: 2014-04-14
• Format: Kindle eBook

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[V347.Ebook] Download PDF Design for Motion: Fundamentals and Techniques of Motion Design, by Austin Shaw

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Plumb the depths of core motion design fundamentals and harness the essential techniques of this diverse and innovative medium. Combine basic art and design principles with creative storytelling to create compelling style frames, design boards, and motion design projects.

Here, in one volume, Austin Shaw covers all the principles any serious motion designer needs to know in order to make their artistic visions a reality and confidently produce compositions for clients, including:

• Illustration techniques






• Typography








• Compositing








• Cinematography








• Incorporating 3D elements








• Matte painting








• Concept development, and much more

Lessons are augmented by illustrious full color imagery and practical exercises, allowing you to put the techniques covered into immediate practical context. Industry leaders and pioneers, including Karin Fong, Bradley G Munkowitz (GMUNK), Will Hyde, Erin Sarofsky, Danny Yount, and many more, contribute their professional perspectives, share personal stories, and provide visual examples of their work.

Additionally, a robust companion website (www.focalpress.com/cw/shaw) features project files, video tutorials, bonus PDFs, and rolling updates to keep you informed on the latest developments in the field.

• Sales Rank: #105786 in eBooks
• Published on: 2015-11-19
• Released on: 2015-11-19
• Format: Kindle eBook

Review

"Austin is one of the first to identify and put down on paper a tangible, in-depth account of a new field that has quickly emerged within the design genre. For years, even professionals in the industry have had trouble giving it a title. Not only does Austin give it a name, but he also captures the essence of the field in a way that both young designers and professionals can appreciate. With words and pictures, he shares the process and explains in detail the knowledge base required for the field. He even questions industry leaders to qualify his process, making it a perfect balance of the academic and professional worlds."

- Erin Sarofsky, Executive Creative Director, Sarofsky

About the Author

Austin Shaw is a full-time Professor of motion media design at the Savannah College of Art and Design. He has also taught at the School of Visual Arts in New York City. For the past 12 years,�Austin has�worked as a motion designer for clients including Target, Ferrari, Fedex, McGraw Hill, Ralph Lauren, and VH1, and as a Creative Director, Designer, and Animator for companies such as Superfad, Digital Kitchen, Brand New School, and Curious Pictures.

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65 of 85 people found the following review helpful.
BUYER BEWARE
By Rob
EDIT: It seems a bit dubious that seven 5-star reviews have miraculously popped up here in the last 12 hrs, all with glowing reviews for the book, and all being 100% marked as "helpful", despite giving no insight or critical look at the book in question. While this review, the only one that explores the content of the book, has been suddenly marked "unhelpful" 12 times in the last day...

Look, I'm terribly sorry to be giving this book such a low review, I really am, but it is an absolute train wreck.

Sentences and even entire paragraphs are re-hashed, and repeated throughout the book over and over; scattered in seemingly random locations. Paragraphs start on one topic, and abruptly change to another. Made-up industry terminology is presented. Concepts are touted to be important without having ever defined them. Inaccurate information is given.

At no point did I ever feel as if I was learning a fundamental, let alone a practical technique. The author never actually “teaches” you anything, he simply brings up topics like “tension”, “composition”, “color”, “design”, etc. and then tells you they are important, literally throughout the entire volume.

Below are some excerpts

----------------

At one point we are told: “The purpose of this book is to teach you about these outcomes and how to make them. They are called STYLE FRAMES and DESIGN BOARDS.” Wait, so this book is about style frames and design boards? Why wasn’t it titled “Style Frames & Design Boards”?!

----------------

From the Introduction:
“The first twenty-five seconds of a thirty second commercial takes the viewer on a journey that inspires emotions and ideas. The final five seconds invariably ends with a logo animation that leaves the viewer with no uncertainty about who has delivered the message.”

From Chapter 9 - Image Making
“Many commercial pieces work in this way, starting in a place of mystery that then takes the viewer on a journey. The commercial almost always concludes in a place of design certainty with a logo resolve.”

----------------

From the introduction
“Motion Design creates varying compositions over time”

Beginning of Chapter 1 - Design for Motion
“Motion design is a container for visual compositions that change over time.”

From Chapter 9 - Image Making
“Motion design is composition changing over time.”

----------------

The section “A Brief History of Style Frames” in chapter 1 is two paragraphs of one person’s recollection on using photos as style frames, and then 4 paragraphs on technology's (computers, scanners) impact on production.

WHAT?! How is this a history of Style frames?

----------------

At one point we are presented with an upside down triangle infographic (included in pics). One side represents when you receive a creative brief, the other, when you finish the project. Somewhere near the middle is a “tipping point” where the project moves from infinite possibilities to certainty.

However, the point of a creative brief is to provide certitude to a project, so how can the tipping point come in the middle?

“The graphic visualizes an idea of how to approach creative projects. It was developed to help keep the creative process enjoyable, while still delivering the best possible outcome. the Process-To-Outcome Spectrum can help you generate ideas, structure and manage time, and feel less stress over the course of a project.”

HOW CAN IT DO ANY OF THOSE?!?!?! It is literally just an upside down triangle with a few sentences next to it!

----------------

Another section of the book elaborates on the use of the word “outcome”:
“Within the context of this framework, outcome is defined as the tangible result of a project.”

So by “outcome” you mean “outcome?” Thanks for the clarification.

----------------

“Compositions can change with subtle grace or with shocking abruptness. This description is the essence of how motion transitions over time. As motion slows down, it begins to become more graphic or static. The tipping point between motion and graphic is the exact point where change can be perceived through a viewport. This combination of motion graphic media mirrors the overlap of studio business models that work in the motion design industry.”

WHAT?

----------------

“This book is for students and aspiring professionals who want to work in design driven production. Motion design offers tremendous opportunities to those interested in creative careers. Until the early 2000s, screens to display motion design primarily consisted of SD [Standard Definition] Televisions, movie theater screens, and computer monitors. Then HD [High Definition] resolution became prevalent, and motion designers could create content for SD and HD aspect ratios.”

Non-sequitur much? Wow!

----------------

The book is peppered throughout with interviews of highly talented individuals in the industry, entitled “Professional Perspectives”, or as I like to think of them “Missed Opportunities”.

These sections could have been of tremendous benefit had insightful questions been asked, but instead we are given ““What do you think you would do if you weren't’ a designer?” and “What was your favorite project?”.

Of what use is this? Wouldn’t it be more beneficial to the topic of design to inquire about how they, I don't know, go about selecting a color palette? What resources they found important over their careers? Or if we ask them about a favorite project, what about following it up with questions about the production of that project? SOMETHING of practical value.

----------------

Chapter 11, "Concept Development Exercises” is simply a rehash of concepts already presented earlier (free writing, word list etc.)

----------------

Chapter 12, "Design Essentials" You can create or find assets. Have a sketchbook. Buy a computer. Backup your data. That is seriously the content.

----------------

Chapter 13, "The Art of Compositing" sees the creation of the terms "Concrete compositing", and "Abstract compositing". Why make up terminology for this?

----------------

Chapter 14, “3D Software for Design” feels as if it was written with very little actual 3D experience:

“A common default projection in 3D software is UVW mapping. This option attempts to wrap your material around your geometry like a piece of clothing on a mannequin.”

This is just plain incorrect. UVW mapping means it’s using the UVW coordinates of the object, which it may have already if it is a default object, or you will need to create if it is a model you have made.

----------------

Chapter 15, "Matte Painting"
Wait, what? Matte painting now?! The whole chapter is a non-sequitur for a book on motion!

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At this point, I decided to skim the rest of the book to see if it continued to be as meandering and pointless, and I'm sorry to report that it is. What a disappointment. I was beyond exited that we finally had a book on the topic of design SPECIFIC to motion artists, but alas, we still do not. Do not waste your money on this.

6 of 9 people found the following review helpful.
Must-have for motion graphic artists
By Jo Lord
This was one of my professors at SCAD who I found to be very smart and influenced me a lot. This book is the result of a class (by the same title) he taught us, gathering our feedback as he wrote this book. I have referred back to this book on several occasions for ideas and even some technical advice. His interviews with professionals in the industry really help provide the reader exceptional material. Shaw did a great job organizing a lot of (sometimes overwhelming) information and portraying it in a colorful and creative way.

5 of 8 people found the following review helpful.
Essential reading for working in Motion Design!
By Jeff Boddy
As a 16 year veteran of the Motion Design field, I can't say enough good things about this book, but let me try:

While Motion Design is a relatively new pursuit in comparison to other aspects of media production, it's not without it's standards. Our field is a unique blend of creative practices, which Shaw describes in detail. So the terminology and approach found at work in ad agencies and post-production studios vary quite a bit – it's similar, but different! And that's a good thing, because the creative process for producing Motion Design related content wouldn't work any other way.

What this book does so brilliantly is establish the terms we all use on a daily basis in an approachable and welcoming way for newcomers in the field. It's also a fantastic refresher if you've been working in the field; be it as a freelancer or staffer, and at studios large or small.

It's also worth noting that I first became aware of Shaw when working with his students at several studios over the last few years. As interns, they had a tremendous understanding of the Motion Design production process and were able to contribute to commercial work almost immediately. It was only after inquiring about their surprisingly thorough knowledge of our industry did I trace back the common connection: Austin Shaw! So I can't think of a better author to organize, outline and document the field as a whole.

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Discovering the Creative Impulse results from years of interaction with the arts. The book acknowledges that all humans are creative beings and are not fully human without some involvement in the creative process. Explore the interrelationships extant within the arts through the creative process. Artworks from music, visual arts, literature, theater, dance, and film are included. Develop a perspective of the arts from the inside, with an awareness of creative processes as integral to human needs, drives, and involvement. Realize the arts as an exaltation of the human spirit, an experience unique to the human experience as a way of knowing and as a way of being. Belief statements in Discovering the Creative Impulse provide a broad awareness of uniqueness in creativity. Become involved in that process, realizing that creativity is an essential component of human life. The arts draw us into those parts of ourselves where our most urgent questions, thoughts, and desires reside.

• Sales Rank: #1690872 in Books
• Published on: 2014-11-03
• Released on: 2014-11-03
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .61" w x 8.25" l, .0 pounds
• Binding: Paperback
• 270 pages

About the Author
Harold Popp, Music Professor Emeritus, has spent a lifetime involved in the world of the arts-as an author, composer, conductor, editor, educator, and trombonist. His desire is to share the world of creativity, encouraging individuals to discover their unique voices to express their inner selves and reach an increased level of fulfillment. Involvement in the arts has always been part of Popp's insatiable drive to share art's meaning with others. This drive has remained foremost in his fifty-three years of teaching primarily at six universities.

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