Jumat, 25 Maret 2011

[D531.Ebook] Free Ebook The Witch-Hunt in Early Modern Europe, by Brian P. Levack

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The Witch-Hunt in Early Modern Europe, by Brian P. Levack

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The Witch-Hunt in Early Modern Europe, by Brian P. Levack

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The Witch-Hunt in Early Modern Europe, by Brian P. Levack

Between 1450 and 1750 thousands of people, most of them women, were accused, prosecuted and executed for the crime of witchcraft. The witch-hunt was not a single event; it comprised thousands of individual prosecutions, each shaped by the religious and social dimensions of the particular area as well as political and legal factors. Brian Levack sorts through the proliferation of theories to provide a coherent introduction to the subject, as well as contributing to the scholarly debate. The book:

  • Examines why witchcraft prosecutions took place, how many trials and victims there were, and why witch-hunting eventually came to an end.
  • Explores the beliefs of both educated and illiterate people regarding witchcraft.
  • Uses regional and local studies to give a more detailed analysis of the chronological and geographical distribution of witch-trials.
  • Emphasises the legal context of witchcraft prosecutions.
  • Illuminates the social, economic and political history of early modern Europe, and in particular the position of women within it.

In this fully updated third edition of his exceptional study, Levack incorporates the vast amount of literature that has emerged since the last edition. He substantially extends his consideration of the decline of the witch-hunt and goes further in his exploration of witch-hunting after the trials, especially in contemporary Africa. New illustrations vividly depict beliefs about witchcraft in early modern Europe.

  • Sales Rank: #139922 in Books
  • Published on: 2006-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.10" l, 1.19 pounds
  • Binding: Paperback
  • 360 pages

Review
'Brian Levack's aims are to provide a coherent introduction to the subject and contribute to an ongoing scholarly debate. In both these aims he has succeeded magnificently. xxx; It will serve as a standard introduction to the topic for many years to come.'English Historical Review

From the Back Cover

Fearlessly, Brian Levack tackles a vast, complex subject and reduces it to a concise and lucid synthesis with consummate skill, challenging old assumptions and casting light into the darkest corners. …the essential starting point for the study of early modern witch-beliefs and witchcraft trials.

Dr Malcolm Gaskill, University of Cambridge

Of previous editions:

Now, at last, with Brian Levack’s careful scholarly and critical survey, a thoroughly reliable introduction to the whole literature is available.

History Today

Between 1450 and 1750 thousands of people – most of them women – were accused, prosecuted and executed for the crime of witchcraft. The witch-hunt was not a single event; it comprised thousands of individual prosecutions, each shaped by the religious and social dimensions of the particular area as well as political and legal factors. Brian Levack sorts through the proliferation of theories to provide a coherent introduction to the subject, as well as contributing to the scholarly debate. The book:

�������� Examines why witchcraft prosecutions took place, how many trials and victims there were, and why witch-hunting eventually came to an end.

�������� Explores the beliefs of both educated and illiterate people regarding witchcraft.

�������� Uses regional and local studies to give a more detailed analysis of the chronological and geographical distribution of witch-trials.

  • Emphasises the legal context of witchcraft prosecutions.

  • Illuminates the social, economic and political history of early modern Europe, and in particular the position of women within it.

In this fully updated third edition of his exceptional study, Levack incorporates the vast amount of literature that has emerged since the last edition. He substantially extends his consideration of the decline of the witch-hunt and goes further in his exploration of witch-hunting after the trials, especially in contemporary Africa. New illustrations vividly depict beliefs about witchcraft in early modern Europe.

Brian Levack is the John Green Regents Professor in History at the University of Texas at Austin. He has written and edited many books, including The Witchcraft Sourcebook (2004) and Witchcraft and Magic in Europe: The Eighteenth and Nineteenth Centuries (1999).

About the Author

Brian Levack is the John Green Regents Professor in History at the University of Texas at Austin. He has written and edited many books, including The Witchcraft Sourcebook (2004) and Witchcraft and Magic in Europe: The Eighteenth and Nineteenth Centuries (1999).

Most helpful customer reviews

46 of 50 people found the following review helpful.
Best Summary of Modern Research
By Jennifer Gibbons
During the 70's and 80's, a flood of new information on historical witchcraft became available. Levack's book is the best survey of this new data, which has revolutionized our understanding of the Great Hunt. It's not a very "daring" book; it sticks to the facts, to the things we're sure about. There isn't a lot of speculation in it. But it's a great antidote to the badly researched books, like Anne Barstow's _Witchcraze_, which flood the popular market.

10 of 11 people found the following review helpful.
Evidence based and thoughtful for a mainstream book on the topic
By Michael Bates
Finally, a scholarly treatment of the issue unimpeded by an emotional attachment to the forgery Etienne Leon de Lamothe-Langon's Histoire de l'Inquisition en France, written in 1829 (even though the forgery was uncovered in 1975)or any strong desire to hammer a square peg into a round hole to promulgate a writer's own personal crusade.

The result is an evidence based and thoughtful historical treatment of the Witch Hunting tragedy with reasonable conclusions.

If you are sick of unrealistic oversimplifications that reflect the pet interest/s of the author more than the historical evidence or sick of books where the author has not taken the time to keep 'up to date' with historical developments (35 years ago) and believes that the Witch Hunt is a purely medieval phenomenon rather than peaking between 1550 and 1650 this is the book to read.

Given the strengths of the book I would recommend it to anyone from budding historians to general public with an interest in a historically accurate take on the Witch Hunts. I acknowledge that Catholics might find slight discomfort in the author's apparent prejudice against Catholicism. He writes of reformation greats being Luther and Calvin and seems to downplay their contribution by contextualising that they didn't make much direct comment on the topic even though one of them insisted that witches need to be killed or something and they were highly influential. That is not to say that he fails to acknowledge that they contributed just a slight reluctance to give their contribution as much weight as someone who doesn't consider reformists to be great might. This is a very subtle issue that does not significantly detract from this first rate book.

15 of 18 people found the following review helpful.
Informative, but rather repetitive and dry
By Danton M.
Pulling together the vast amount of information that Levack does had to be a truly daunting task. He does it well, with easily followed organization and summaries, tables and charts, and copious references to specific witch-hunt episodes. This all makes it a good reference for people who might want to know more about the social and religious settings of the hunts. (I'm reading it for a graduate literature class on mythology and heresy.)
However, he refers to specific hunts as if expecting readers to know a good deal about their causes, effects and events. Except for the Salem, MA, hunt (which is frequently referenced, though technically not in Europe at all), none of the many hunts were at all familiar to me. What, for instance, WAS the 1610-1611 "dream epidemic" in Basque country? It sounds fascinating, but Levack never gives us any details about it. Perhaps this sort of information is beyond the scope of Levack's interest, but its omission does make for dry reading of numbers and dates, as opposed to the more human stories that lie behind them.

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Kamis, 24 Maret 2011

[T588.Ebook] Download La Historia currículo, guía del alumno: Llegando al corazón de La Historia de Dios (Spanish Edition), by Randy Frazee

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La Historia currículo, guía del alumno: Llegando al corazón de La Historia de Dios (Spanish Edition), by Randy Frazee

La Historia es una nueva, poderosa y gratificante experiencia para toda la iglesia, cuya efectividad fue probada primero en la iglesia Oak Hills, pastoreada por Max Lucado y Randy Frazee. La Historia, en 31 accesibles cap�tulos, permite a los miembros de su iglesia recorrer la progresi�n de los personajes y acontecimientos b�blicos de una forma cronol�gica. Su comunidad entera, desde quienes est�n en una b�squeda espiritual hasta los m�s conocedores, incluyendo ni�os y adultos mayores, desarrollar�n un aprecio nuevo y m�s profundo por la Biblia. Las iglesias que han participado de esta experiencia han notado los siguientes beneficios: • Comprensi�n m�s profunda de la Biblia; • Confianza nueva al comunicar la Palabra; • Experiencia unificada para toda la iglesia; • Elevado sentido de logro en comunidad; • Crecimiento natural al alcanzar a otros (Gu�a del participante de grupos)

  • Sales Rank: #119181 in eBooks
  • Published on: 2013-06-25
  • Released on: 2013-07-17
  • Format: Kindle eBook

About the Author

Randy Frazee es ministro principal de la iglesia Oak Hills de San Antonio, Texas. Es author de The Connecting Church, Making Room for Life, The Christian Life Profile, y Renovation of the Heart Student Edition. Es graduado del Dallas Theological Seminary. Frazee y su esposa, Rozanne, tienen cuatro hijos.



Kevin y Sherry Harney sirven en la Iglesia Shoreline Community en Monterey, California. Son coautores de Encuentra una iglesia que puedas amar, y ama la iglesia que encuentres y m�s de cincuenta gu�as de estudio b�blico para grupos peque�os.

Most helpful customer reviews

1 of 2 people found the following review helpful.
100% Recomendado - estupendo!
By Paul Garcia
Muy buen libro, cuenta la biblio como una historia, con mas continuidad y de una manera fluida casi sin interrupciones. Es una manera muy agradeble de poder leerla.

0 of 1 people found the following review helpful.
Five Stars
By CESAR B MOLINA O
Excelente forma para conocer mas la Biblia y la historia del pueblo de Dios

0 of 1 people found the following review helpful.
Exelente Libro, muy buen material para leer y los ...
By GIAN F GARCIA U
Exelente Libro , muy buen material para leer y los videos son exelentes..

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Selasa, 15 Maret 2011

[B880.Ebook] Ebook Download The Real Thing: Essays on Making in the Modern World, by Tanya Harrod

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The Real Thing: Essays on Making in the Modern World, by Tanya Harrod

  • Sales Rank: #1326667 in Books
  • Published on: 2015-01-22
  • Original language: English
  • Dimensions: 8.27" h x .94" w x 4.96" l, 1.13 pounds
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

8 of 8 people found the following review helpful.
the gallery owner and curator are equally if not more important in forming opinion about what is good, what is important and wha
By Mr. R. Wood
Do you really need a book of writing on craft on your bookshelf? Is craft not about doing rather than reading? Do things not speak for themselves? Is this the real thing?

If we glance sideways at the art world we see that whilst artists make, and at art college they learn to speak and write well about their making, the work of the art critic, the gallery owner and curator are equally if not more important in forming opinion about what is good, what is important and what is not. Critical writing is a difficult thing to do well. It requires a deep understanding of the field, of what is happening, what is current, what is new and important. To do a field justice a commentator needs to put the legwork in to see the shows, to visit the workshops, to read what everyone else is saying, to have an understanding of what is going on. Perhaps if we could use a music analogy we would look to the late great John Peel who simply listened to more music than anyone else, he loved music and always had something interesting to share. His knowledge was comprehensive yet he was also incredibly humble and simply wanted to share his excitement about whatever new band he had just found.

To me this is how I feel when I read Tanya Harrod's writing. There is a feeling of discovery, of understanding the field I work in in a much deeper way as I glimpse it through the eyes of someone who has studied it closely and passionately for many years. The Real Thing is an anthology of Tanya's writings in various quality newspapers and magazines from the past 30 years. I find it to be a total delight to dip into at random, to enjoy a couple of pages on such diverse subjects as "What is Folk Art?" "Why shouldn't a pot be as beautiful as a painting?", "The flourish of wood and iron", Quaryman's vernacular", "Our past remade in China", "Craft without politics" or "Why don't we hate Etsy?"

I used to subscribe to Crafts Magazine and the highlight was always Tanya's column inside the back cover. Now here are some of the best of them from 30 years collated together, simply fantastic. The final section of the book is a collection of writings about people, here I have to declare an interest and abandon objectivity since the section starts with "William Morris in our time" and ends with "Robin Wood, traditional radical" along the way amongst many others we have "Eric Gill, workman", "Le Corbusier, craft lover", Lucie Rie and reticence", and "Svend Bayer and the aesthetics of denial"

This new book is a wonderful record of Tanya's championing of the field of craft and providing it with the best critical writing for 30 years. It stands as a great work on it's own and should be essential reading for all craftspeople to better understand the complexities of what it means to make things in the 21st century, it tells the story behind the things, I would highly recommend it.

0 of 0 people found the following review helpful.
Fine read and good topic
By Kevin Carney
Very good book on an under-explored topic.

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Minggu, 06 Maret 2011

[J208.Ebook] Ebook Ruined Maid: Modes and Manners of Victorian Women, by Geoffrey Eley

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Ruined Maid: Modes and Manners of Victorian Women, by Geoffrey Eley

  • Sales Rank: #8007505 in Books
  • Published on: 1970-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 119 pages

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[G545.Ebook] Ebook Free The Moonstone (Oxford World's Classics), by Wilkie Collins

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The Moonstone (Oxford World's Classics), by Wilkie Collins

Called "the first and greatest of English detective novels" by T.S.Eliot, The Moonstone is a masterpiece of suspense. A fabulous yellow diamond becomes the dangerous inheritance of Rachel Verinder. Outside her Yorkshire country house watch the Hindu priests who have waited for many years to reclaim their ancient talisman, looted from the holy city of Somnauth. When the Moonstone disappears the case looks simple, but in mid-Victorian England no one is what they seem, and nothing can be taken for granted.
Witnesses, suspects, and detectives each narrate the story in turn. The bemused butler, the love-stricken housemaid, the enigmatic detective Sergeant Cuff, the drug-addicted scientist--each speculate on the mystery as Collins weaves their narratives together. The Moonstone transcends the genre of detective novel or murder mystery, though, and this new edition features a fascinating introduction by John Sutherland which discusses the themes of imperialism, sensationalism and mesmerism.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Sales Rank: #103335 in Books
  • Brand: Collins, Wilkie/ Sutherland, John (EDT)
  • Published on: 2008-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x 1.10" w x 7.70" l, .84 pounds
  • Binding: Paperback
  • 560 pages

Review
A book for the beach. Keren Levy, Guardian

From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.

From the Inside Flap
Introduction by Catherine Peters

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392 of 404 people found the following review helpful.
The First and Greatest English Detective Novel?
By A. Wolverton
As many reviewers have noted, T.S. Eliot called `The Moonstone' "the first and greatest English detective novel." Is the novel worthy of such praise? We shall see...
The story begins with a brief prologue describing how the famous yellow diamond was captured during a military campaign in India by a British officer in 1799. The action moves quickly to 1848 England, where, according to the British officer's will, the diamond has been given to one of the soldier's young relatives, Rachel Verinder. Yet only hours after the diamond arrives at the Verinder estate, it disappears. Was it stolen by a relative? A servant? And who are these three Indian men who keep hanging around the estate?
`The Moonstone' is told from the point of view of several characters. The first portion of the tale is told by Gabriel Betteredge, house steward of the Verinder estate, who has been working for the family practically his entire life. Although over 200 pages, Betteredge's account holds the reader's interest as he introduces the main players and the crime itself. The next account, by distant Verinder relative Miss Clack, is humorous and somewhat important, but far too long (nearly 100 pages) for its relevance to the story. But after Miss Clack's account, things really take off at breakneck speed.
Readers who latch onto the T.S. Eliot quote expecting a modern detective tale will be sorely disappointed. You aren't going to see anything resembling Jeffrey Deaver, James Patterson, Sue Grafton, or even Mary Higgins Clark. You also won't see Mickey Spillane, Dashiel Hammett, or Raymond Chandler. Nor will you see Agatha Christie, Dorothy Sayers, or Martha Grimes. You won't even see Arthur Conan Doyle. But you WILL see the novel that influenced them all.
You'll also see something else. Something that modern mystery/detective writers have for the most part lost. Characters. Oh sure, modern writers have characters, but for the most part, the reader only learns enough about the character to forward the plot. In our time, plot is King. When `The Moonstone' was published (1868), one of the novel's attractions was its characters. Collins has painted each of these characters so well that the reader feels that they know not only how they look, but their mannerisms, their movements, how they think, and their view of the world they live in. That type of character development is seriously lacking today, not from all writers, but from far too many.
Of course, the down side is that Colllins also took over 500 pages to develop those characters. Is the book too long? For most modern readers, the answer is yes. I believe it all has to do with your expectation. Put modern mystery/detective stories out of your head. Then read `The Moonstone' as you would any other novel. Get lost in the atmosphere and the characters. Immerse yourself. Most of all, enjoy. Reading `The Moonstone' is like eating at a fine restaurant after months of fast food. When it's over, you just want to sit back in your favorite chair and say, "It's nice to know that the finer things are still available." Yes they are. Treat yourself to this gourmet book.
522 pages

109 of 115 people found the following review helpful.
An immersive, unforgettable mystery classic
By Robert Moore
THE MOONSTONE was the first mystery story, and it in many ways remains one of the most remarkable. Working in the shadow of the Gothic and Romantic literary traditions, Wilkie Collins managed to create something new and unique. Instead of the endless evocation of atmosphere and focusing on sinister villains, Collins focuses instead on a simple mystery and its solution: who stole the diamond known as the Moonstone, and where did it go? But any reader of the novel knows that the mystery is secondary to the exposition and the marvelous parade of characters. It isn't the getting to the resolution of the mystery that is the main thing, but the process of getting there.
One of the great attractions of the novel is the extraordinary style of the writing. Although the first English mystery story, it had not yet devolved into a genre, and Collins was not aware that a mystery story could not also be great literature. As a result, he imbued his characters with enormous charm and give them each a vivid manner in expressing themselves. The multiple narratives by this remarkable characters was a strategy to deal with the problem of authorial point of view. On the one hand, Collins wanted to avoid the omniscient narrator who would know the truth both about each character and about the myster of the fate of the diamond. Collins therefore cast the novel in the form of a succession of narratives by the various participants in the novel. He thereby limits the knowledge of each narrator, but he also is able thereby to provide considerable variation in the style of each narrative. The two most remarkable segments are those by Gabriel Betteridge, House-Steward in the service of Lady Verinder and her cousin Miss Clack, a prim and fervid evangelical Christian whose missionary zeal and prudish moralizing provide many of the funniest moments of the novel. The style of these two could not be more distinct, both from the rest of the narratives and from each other. Miss Clack has constantly to fight a tendency to sermonize. She is apt to turn out passages such as: "A thundering knock at the street door startled us all. I looked through the window, and saw the World the Flesh, and the Devil waiting before the house--as typified in a carriage and horses, a powdered footman, and three of the most audaciously dressed women I ever beheld in my life." Betteridge, on the other hand, is solid, practical, a tad parochial, but ferociously loyal to his employer. For him the good life consists of a good pipe and a copy of ROBINSON CRUSOE at hand. If one laughs a bit at Miss Clack, the reader comes to thoroughly like Betteredge. Between the two of them, their narrative occupy more than half the novel. The others are also quite enjoyable, but not to the degree that these two are.
THE MOONSTONE is a page turner, which is to say that it is a delight to read. One wants to read quickly both because each page is such a joy and because one wants to discover what happens next. The characters are mainly enjoyable, but like so many authors his eccentric characters are far more memorable and enjoyable than his central characters. Betteredge, Miss Clack, and Sgt. Cuff far outstrip the "hero" of the book, who while a good citizen, is from a literary point of view a tad boring.
I can agree with those readers who consider THE WOMAN IN WHITE a better book, but this is another of those comparisons that are odious. The book is so enjoyable, fun, and memorable that I can't imagine any reader lamenting during the course of its pages that they weren't reading the other book instead.

96 of 102 people found the following review helpful.
Must read if you like detective novels
By robert robbins
I have become a recent convert to Victorian literature. Educated as an electrical engineer, I did not appreciate literature until I reached my 70's. This book is to the modern detective novel as Maxwell's equations are to the wireless engineer of today. All the modern detective novels follow the basics exhibited in Moonstone, but usually fall far short because they leave out one or more of the "equations". A thoroughly gripping and inventive novel by a master.

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